Ska Music essays

Ska Music essays Music is one medium through which a generation can express itself. For a generation of suppressed, restless, working-class youths living in early 1960's Jamaica, this voice was a genre of music known as ska. Since its original appearance, ska has resurfaced twice. Ska music has been presented to three generations of fans in three separate "waves." Its humble beginnings lead to one of the most influential styles of music present in the world. By 1962, Jamaica was no longer under British rule. Jamaican culture and music began to reflect the new found optimism in its independence. Since the early 1940's, Jamaica had adopted and adapted many forms of American musical styles. The predominantly black inhabitants of Jamaica took a liking to rhythm and blues music , and with imported American records, "enterprising businessmen attempted to string up small sound systems consisting of radio, turntable, and independent speaker boxes". These portable sound systems provided entertainment at dance halls. Owners of different sound systems competed against each other at the halls. The sound systems were run by two individuals, the deejay and the selector, dressed in "spangled waistcoats, black leather Dracula capes, imitation ermine robes, Lone Ranger masks, and rhinestone-studded crowns" . The deejay job was to introduce each record and to enhance the rhythm of the music! by chanting along with the record. Selectors chose records and used the controls to increase or decrease bass, treble, or volume. Musicians picked up on the elements of the rhythm and blues and combined it with traditional Jamaican mento music. The result was the first wave of ska. Musically, ska is "a shuffle-rhythm close to mento but even closer to the backbeat of the r&b, with the accent on the second and fourth beats, often moving in a 12-bar blues-frame. The afterbeat, strummed by a rhythm guitar or played on the piano . . . came to be charac...

Integrated Marketing Communications Plan for Volkswagen Research Paper

Integrated Marketing Communications Plan for Volkswagen - Research Paper Example The Volkswagen Group is one of the largest car manufacturing companies in the world. With its latest launch â€Å"Polo†, Volkswagen has come out with an innovative ad to attract large number of consumers. The IMC tools used by Volkswagen in the case of Polo have been advertising through both print and electronic media, internet marketing, online banners, direct marketing, etc. Volkswagen’s prime IMC strategies related to the Polo car can be discussed as follows:Advertising is the form of communication which s non-personal and provides information about the services, products and the organization. Volkswagen’s television commercial of the Polo car was to make a new beginning in the small car segment. The company through the ad campaign has tried to differentiate itself from other car makers as its television was made to attract young males while other small car makers are largely targeting females. The advertisement has been used extensively by Volkswagen to creat e awareness about the new Polo car and its unique features which makes it a choice for young males rather than showing females taking their cars for shopping. The ad campaign for the Polo car was on the line of â€Å"Dedicated Followers of No One†. The ad campaign has been used by Volkswagen to target people especially males who like to have their own style rather than keep changing with the trends. Interactive marketing or internet marketing as become the most sought after advertising prospect for the companies. With more and more people using internet the companies are getting more inclined towards internet marketing through which they can target a healthy number of people. Volkswagen has used this medium to extend its reach globally in context to the Polo car. The company has very well used internet marketing by putting ads through online banners on popular social networking sites and other websites. Further a special micro site was created to attract the target market esp ecially the young males. The page of the website was designed as a driving game to give the people excitement of driving a Polo car. Celebrity interviews were also posted on the micro site as a tactic to attract consumers. The interactive marketing was used to further create eagerness amongst the young car lovers. Social Media Volkswagen also used social media strategy in the form of a game based on Marco/Polo. The company promoted the Polo car on a popular social ne

How wearable technology affect developer of web content Essay

How wearable technology affect developer of web content - Essay Example The paper tells that the latest change in technology is causing everyone in the technology industry to notice and use wearables. In technology, the term wearable refers to a range of technological devices. According to Ruiz and Goransson, â€Å"it fits everything from iPod controls embedded in the sleeve of your ski jacket to intelligent shoes that tell you which direction to turn when you reach an intersection†. Rather than just holding technological devices, people today are comfortable wearing them on. Google glass is a perfect example of wearable technology. It is a technological gadget mounted on the head in a similar way as eye glasses, which acts more like a computer with voice activated and capabilities to perform google searches, take videos and photos, look for directions, and a range of other functionalities. The emergence of wearable technology has come with a number of impacts. Among them is a huge impact on web content developers and the world of web design in ge neral. This is especially due to the fact that when it comes to web surfing, modern web visitors are highly dependent on wearable mobile devices. As innovations continue to be made, new technologies emerge from time to time. The emerging and new technologies bring a range of opportunities for them and for the different fields they are applied in. Web application development is an area in computer technology that has been impacted by emerging technologies and where opportunities have grown.

Strong Peso Hurts Food Exports Essay Example for Free

Strong Peso Hurts Food Exports Essay Philippines economy nowadays portraits a good start for, as we are lifting our country from the previous economic situation. Not including the whole world economy, we are experiencing a smaller amount of problems in our economy than the recent. The rate of exchange between our Pesos against the Dollar is going stronger from now and as some bank company said that it could reach as high as â‚ ±37.50 in the next year. This is worthy for our country that it could raise the percentage to lessen the financial crisis and issues of our economy here in the Philippines. However, this could also mean that some other Filipinos, who are contributing a lot in our economic growth, will be at an edge of helping themselves to this â€Å"firmer peso†. Strong peso plus the high sugar price, makes local food producers and exporters come to haste to restore the D-Sugar allocation of 2 percent. This will be considered as hedge for the on-going raise of the peso coupled with high sugar price, which cost around â‚ ±40 to â‚ ±44 per kilo without duties and taxes. The D-Sugar allocation is the use of food producers and exporters for local consumption and export of their products. However, the D-Sugar allocation of 2 percent is too small to make a depression on the profits of sugar producers, but its closure will cause a huge percentage on the production costs of food exporters. One of the factors that affect the Philippine economic growth is price control. Price control defines as governmental imposition on the prices changed for goods and services in a market. It is usually intended to maintain the affordability of staple foods and goods and to prevent price gouging during shortage, or alternately, to insure an income for providers of certain goods. These are two primary forms of price control, a â€Å"price ceiling†, the maximum price that can be changed and a â€Å"price floor†, the minimum price that can be changed. The Philippines is one of main product that commonly buys in markets, groceries stores, etc. The government wants to change its minimum price, which rejected by the administrator of Sugar Regulatory Authority. ~Reaction The Philippine Food Processors and Exporters Organization Inc. is a great factor in the Philippine economic society. About its appeal of restoring of D-Sugar, which is not yet responded by the Sugar Regulatory Administration (SRA), will be the hedge for the food exporters to the firmer peso that their expectations of the peso-dollar exchange rates will reach â‚ ±37.50 against the dollar. Exporters, in general, in this case could lose around $100 million from this year as they are dependent of the dollar as the international trading currency. The landed cost of imported sugar is now about â‚ ±40 to â‚ ±44 per kilo before duties and value-added tax. Local sugar, on the other hand, sells these sugars for about â‚ ±54 to â‚ ±70 per kilo. As the dollar continues to appreciate, food exporters carry the burden of absorbing the increasing ratio of loss to margins, and that leaves domestic manufacturers at the losing end. It is very unfair for the food exporters, sugar exporters, without any hedge to cancel the D-Sugar restoration and is now coupling with the strong peso exchange rate with the dollar. Sugar producers will be at risk to have another pricing system to regain the loss form their margins and profits. Sugar Regulatory Administration (SRA) issued Sugar Order 4, series of 2009-2010, converting C-Sugar, or the country’s reserve sugar to B-Sugar for the use of the domestic market. They now abolish the D-Sugar to provide an improvement in the C-Sugar in the domestic supply. It is an aid for the domestic sugar producers as they lucky that they are being supported by the government. However, eliminating D-Sugar plus the increasing value of Peso, is a disease for the food exporters as they may lose not only their margins and profits, but their competition on other countries. Philippine economic growth rate may decrease in such a gap as the sugar which is the main exports for the food exporters which has a greater percentage in contributing to our economic growth. There will be a massive unemployment in some food companies as this problem may tend to be fatal in the next years without any hedge or solution to the abolishment of the D-Sugar. Lots of domestic food producers may shutdown for this reason and a serious displacement as cheaper imports flood the local market. As the currency of peso goes stronger against the dollar, it affects a lot of factors in the Philippine economy. There are lot of appeals concerning sugar because of its continuous increase of price. Local market hurts from the appreciation of peso and comes with a solution of an appeal to aid their problems. But is SRA insisted, they explain why they can’t just take a control over the price of sugar. Moreover, there should be a manipulation in sugar or unstable value of supply and price over the sugar. There is a big increase of percentage in the stocks of sugar so there is no current manipulation. Resoucrce: http://literasura.blogspot.com/2011/07/reaction-paper.html

Erosion of Gender Equality in America :: Feminism Feminist

Erosion of Gender Equality in America American people come in a variety of shapes and sizes; their thoughts, fears, and convictions differ widely. It is usually necessary for Americans to choose a status in politics and community; but it is obvious that among specific groups and organizations, a person’s beliefs and opinions differ dramatically from the next. Feminist groups, specifically in the last twenty years, have announced their view of membership as an elite group of woman who must have the same specific convictions. Moreover, they denounce anyone who does not, as irrational and supporting the continuance of subordination of women. Feminist propaganda is off track when it comes to the real experiences of American women and men. It is true, that in the past, a woman’s voice was often disregarded; she was denied certain rights, for some women fought. Elizabeth Stanton, Susan B. Anthony, and Elizabeth Blackwell were famous for their courage and persistence in bringing change. It is safe to say that most Americans now agree men and women have vast talents and capabilities. A century ago women were concerned with issues, such as the right to own property and vote. Somewhere between then and now, feminist groups turned their agenda to issues that offended many Americans. They crossed the line of personal and moral decisions and made ridiculous accusations toward men. The first feminists were necessary. Modern feminists have lost touch with American women and â€Å"unconsciously undermined genuine equality†. It is no wonder why men and women try to distance themselves from feminism. Long before Europeans came to the â€Å"new land† with their Judeo-Christian ideology, patriarchy was the exception not the norm. Women, their bodies, and ability to give birth and nurse children were adorned. Women did eighty percent of the hunting until the reintroduction of the horse. â€Å"Women were shoved out of the hunting scenario. The horse allowed men to become radius,† and t he man’s â€Å"expendable sex† was no obstacle when traveling long distances. The â€Å"economic survival† was now the man’s domain. The value of the women fell when â€Å"mother earth† lost her place. In addition, the European settlers forced their Christian ideals on the Native Americans and other subordinate groups later. During the next several years, the colonial family stayed the same; historically, there was no women’s movement until 1848, the year of the Seneca Falls Convention. Organized by Elizabeth Stanton and Lucretia Mott, the â€Å"Declaration of Principles† was produced.

Disguise in Twelfth Night Essay

Twelfth Night is one of William Shakespeare’s so-called transvestite comedies that features a female disguising herself as a young man. This concept might be difficult to grasp by today’s audience but during Shakespeare’s time it was not unusual for female roles to be played by young boys. Every character in the play is involved in a situation where they think one person is someone else. These situations lead to turmoil and humor in the play. The many instances of mistaken identity and uncertainty of gender in Shakespeare’s Twelfth Night contribute to the theme of confusion in the play. The first character in the play to introduce the theme of confusion is Viola. She is distraught after being separated from her twin brother, Sebastian, in a shipwreck. In hoping that he could still be alive, she is determined to support herself in an unfamiliar land by getting a job as a messenger in town. She says to the captain that rescued her, â€Å"conceal me what I am, and be my aid †¦ present me as [a male soprano] to him† (Shakespeare I.ii.49-52). Presenting her as a male soprano explains the high pitch of her voice. She decides to disguise herself as a young man named Cesario so she can work for Orsino, the duke of Illyra. Viola’s job is to be a messenger and after three days she becomes a favorite of Duke Orsino. He says to Cesario, â€Å"it shall become thee well to act my woes / She will attend it better in thy youth† (Shakespeare I.iv.26-27). The duke decides to send Cesario on the most important errand as messenger of his love letters to Olivia believing she will accept the letters from a youthful boy. This will eventually lead to trouble as a love triangle between Olivia, Orsino, and Viola†¦

Consider Laertes’s contribution to the theme of revenge Essay

Of the various parallels between Hamlet and Laertes is one of the most telling. From the beginning of the play we see the two in comparable situations, each young men of the court, each seeking university, each spied on by Polonius, each (it would appear) loving Ophelia, in different ways. Therefore, when Laertes finds himself in Hamlet’s position of having a father murdered, the audience watches with interest to see how he will react, and how this will compare with Hamlet’s behaviour in the same situation. In fact, although Hamlet points out that: ‘by the image of my cause I can see The portraiture of his’ Laertes reaction to murder of his father is very different from hamlet’s, and indeed he is everything which Hamlet rebukes himself for failing to b. He forms the very epitome of a traditional avenger, and almost everything he does forms a contrast with what Hamlet does not do. Immediately as he returns to the court ‘in a riotous head’, having recruited ‘a rabble’, to aid him in his revenge. Thus we see that he finds both opportunity and means to destroy his father’s supposed murderer as soon as he possibly can. It is sometimes argued that Hamlet has little opportunity, doing the first two acts of the play, at least, to confront Claudius and exact his revenge. However, it is clear that – particularly since he is ‘loved by the distracted multitude’ – Hamlet might have actively created such an opportunity for himself, just as Laertes does. Furthermore Laertes is determined that he will ‘dare damnation’ in order to revenge his father. This is very important when soliloquy beginning, ‘To be or not to be’, in which he confesses that ‘the dread of something after death’ is, in part, what makes him ‘lose the name of action’, for again we see hamlet’s attitude to his task differs radically from that of a traditional avenger. This is also apparent when Laertes says that he would ‘cut (Hamlet’s) throat I’ th’ church ! ‘, since we are immediately reminded that Hamlet refused to kill Claudius, when given the perfect opportunity, because he was in prayer. Hamlet’s refusal to kill Claudius at this time (because his prayers make him ‘fit and seasoned’ to go to heaven – which is hardly a fitting revenge for a man who has sent his brother to be judged with ‘his crimes broad blown’) may – if we decide that they are more than just another rationalization (an entirely debatable point in itself) – prove that Hamlet reflects more carefully than Laertes on the business of revenge and that he is more caught up in the need for a perfect and fitting revenge. Nevertheless Laertes’ clear opinion that ‘Revenge should have no bounds’, and his immediate and unhesitating action, in comparison with Hamlet’s continual prevarication, persuade us that he is the more effective avenger. Laertes falls into the same category as Fortinbras, who with his ‘unimproved mettle hot and full’ seeks revenge on Denmark for winning and taking control of what had been his father’s lands, and Pyrrhus, who brutally kills an old and defenceless man in the name of revenge. All these characters’ unhesitating and decisive action, and what seems to be their lack of fear at the consequences, throw Hamlet’s indecisiveness very much into relief, for whilst he can only ‘unpack (his) heart with words’, they can ‘sweep†¦ to revenge’ as he longs to. However, it is Claudius, not Laertes, who actually states that ‘Revenge should have no bounds’, which is not only ironic, since it is Hamlet’s hesitation alone which has saved him so far, but – I feel – also has sinister undertones, since one would hardly have put such words into the mouth of the clearest villain of the play without implying that this sentiment is also, somehow, villainous. Of course, as Claudius is here manipulating Laertes’ strong desire for revenge, it would be unwise to attach too much importance to this point, but it is nevertheless interesting to examine our attitude to Laertes’ attitude towards revenge as opposed to Hamlet’s. After all, the impetuous approach of the former allows him to believe: ; The people muddied, Thick and unwholesome in their thoughts and whispers. ‘ Thus he promptly accuses the wrong man (Claudius, rather than Hamlet) of killing his father. Compare this with Hamlet – well aware that all is not necessarily what it seems in Denmark – who creates an elaborate plan to ‘catch the conscience of the king’ before he proceeds. It might also appear to the audience that Laertes’ defiance of damnation is more to do with a lack of reflection on ‘the undiscovered country’ than courage in facing it. After all, as hamlet points out: ‘the native hue of resolution Is sicklied o’er with the pale cast of thought’ Laertes is all ‘resolution’, untroubled by the words and thoughts, which impede hamlet’s action. (We never see Laertes in soliloquy, of course, because he is morally certain of what he must do, and does not explore the subject further. ) However, we possibly feel some sympathy with the view that: ‘blest are those Whose blood and judgement are so well co meddled That they are not a pipe for Fortune’s finger. ‘ Ironically, these words, spoken by Hamlet in praise of Horatio, actually describe the former in some respects, and particularly when we see him in comparison with Laertes. After all, whilst his endless reflection might appear to serve, at times, only to exacerbate and rationalize his delay, at least he can only rarely be accused of being rash. Laertes believes that, ‘That drop of blood that’s calm proclaims me bastard. ‘ However, this rage, this refusal to reason calmly and to reflect on what has happened, allows the slippery Claudius to manipulate Laertes for his own ends, leading to the treachery which destroys Claudius and Laertes themselves, and Gertrude, as well Hamlet. Ultimately, there is a certain nobility t be found in the exchange of forgiveness between hamlet and Laertes (the final link the latter’s assurance that: ‘Mine and my father’s death come not upon thee, Nor thine on me! ‘ Which is greater than Laertes’ revengeful triumph over Hamlet. This is not to say that Shakespeare’s presentation of Laertes serves entirely as an indictment of the process of revenge. Both hamlet and Laertes speak of the ‘honour’ of revenge, and finally does kill Claudius, that he is ‘justly served. ‘ However, I can feel that considering Laertes’ contribution to the theme of revenge is only useful when seen alongside hamlet’s reaction to the same theme, and perhaps this portrayal of a traditional avenger who is only useful when seen alongside hamlet’s reaction to the same theme, and perhaps this portrayal of a traditional avenger who is rash, manipulative and finally self-destructive, allows us to see hamlet in a more favourable light when he is unable to assume the same role as traditional avenger.

Intact is One Word

Intact is One Word Intact is One Word Intact is One Word By Maeve Maddox Ive seen too many examples of intact written as two words to go on assuming that they are typographical errors. Photo caption: A couch that was left in tact after the terrorist attacks on the World Trade Center. Question on medical forum: Is chest muscle left in tact after MastX? Question on aviation site: Why are there only 2 Stukas left in tact today? The adjective intact is written as one word. It means whole, entire, not affected by anything that injures. Ex. An animal that has not been spayed or neutered is said to be intact. The literal meaning of intact is untouched. The in prefix means not. The tact comes from a verb meaning to touch. The noun tact has the same origin. An obsolete use is sense of touch. Now the words main use is figurative: tact ready and delicate sense of what is fitting and proper in dealing with others, so as to avoid giving offence, or win good will; skill or judgement in dealing with men or negotiating difficult or delicate situations; the faculty of saying or doing the right thing at the right time. (OED) As for intact, lets keep it, well, intact. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Misused Words category, check our popular posts, or choose a related post below:16 Substitutes for â€Å"Because† or â€Å"Because Of†One Fell Swoop10 Tips About How to Write a Caption

Definition and Examples of Ethos in Classical Rhetoric

Definition and Examples of Ethos in Classical Rhetoric In classical rhetoric, ethos is a persuasive appeal (one of the three artistic proofs) based on the character or projected character of the speaker or writer. Also called  ethical appeal or ethical argument. According to Aristotle, the chief components of a compelling ethos are goodwill, practical wisdom, and virtue. As an adjective: ethical or ethotic. Two broad types of ethos are commonly recognized: invented ethos and situated ethos.  Crowley and Hawhee observe that rhetors can invent a character suitable to an occasion- this is  invented ethos. However, if  rhetors  are fortunate enough to enjoy a good reputation in the community, they can use it as an ethical proof- this is  situated ethos (Ancient Rhetorics for Contemporary Students. Pearson, 2004). Pronunciation EE-thos Etymology From the Greek, custom, habit, character Related Terms IdentificationImplied AuthorLogos and PathosPersonaPhilophronesisPhronesis Examples and Observations A Universal Appeal Everyone makes an appeal to ethos if only an ethos of choosing never to stoop to such matters as ethos. No speech with intent is non-rhetorical.  Rhetoric is  not everything, but it is everywhere in  the speech of human  arguers. (Donald N. McCloskey, How to Do a Rhetorical Analysis, and Why. New Directions in Economic Methodology, ed. by Roger Backhouse. Routledge, 1994) Projected Characters Im not a doctor, but I play one on TV. (1960s TV commercial for Excedrin)I made my mistakes, but in all of my years of public life, I have never profited, never profited from public service- I earned every cent. And in all of my years of public life, I have never obstructed justice. And I think, too, that I could say that in my years of public life, that I welcome this kind of examination  because people have got to know whether or not their president is a crook. Well, I am not a crook. I have earned everything I have got. (President Richard Nixon, news conference in Orlando, Florida, November 17, 1973)It was a highly inconvenient thing for them in our debates that I was just a country boy from Arkansas and I came from a place where people still thought two and two was four. (Bill Clinton, speech at the Democratic National Convention, 2012)If, in my low moments, in word, deed or attitude, through some error of temper, taste, or tone, I have caused anyone discomfort, created pain, o r revived someones fears, that was not my truest self. If there were occasions when my grape turned into a raisin and my joy bell lost its resonance, please forgive me. Charge it to my head and not to my heart. My head- so limited in its finitude; my heart, which is boundless in its love for the human family. I am not a perfect servant. I am a public servant doing my best against the odds. (Jesse Jackson, Democratic National Convention Keynote Address, 1984) Contrasting Views The status of ethos in the hierarchy of rhetorical principles has fluctuated as rhetoricians in different eras have tended to define  rhetoric in terms of either idealistic aims or pragmatic skills. [For Plato] the reality of the speakers virtue is presented as a prerequisite to effective speaking. In contrast, Aristotles Rhetoric presents rhetoric as a strategic art which facilitates decisions in civil matters and accepts the appearance of goodness as sufficient to inspire conviction in hearers...The contrasting views of Cicero and Quintilian about the aims of rhetoric and the function of ethos are reminiscent of Platos and Aristotles differences of opinion about whether or not moral virtue in the speaker is intrinsic and prerequisite or selected and strategically presented. (Nan Johnson, Ethos and the Aims of Rhetoric. Essays on Classical Rhetoric and Modern Discourse, ed. by Robert J. Connors, Lisa Ede, and Andrea Lunsford. Southern Illinois University Press, 1984) Aristotle on Ethos If Aristotles study of pathos is a psychology of emotion, then his treatment of ethos amounts to a sociology of character. It is not simply a how-to guide to establishing ones credibility with an audience, but rather it is a careful study of what Athenians consider to be the qualities of a trustworthy individual. (James Herrick, The History and Theory of Rhetoric. Allyn and Bacon, 2001)Fundamental to the Aristotelian concept of ethos is the ethical principle of voluntary choice: the speakers intelligence, character, and qualities comprehended by goodwill are evidenced through invention, style, delivery, and likewise incorporated in the arrangement of the speech. Ethos is primarily developed by Aristotle as a function of rhetorical invention; secondarily, through style and delivery. (William Sattler, Conceptions of Ethos in Ancient Rhetoric. Speech Monographs, 14, 1947) Ethical Appeals in Advertising and Branding Some types of oratory may rely more heavily on one type of proof than another. Today, for example, we note that a great deal of advertising uses ethos extensively through celebrity endorsements, but it might not use  pathos. It is  clear from Aristotles discussion in Rhetoric, however, that, overall, the three proofs work in conjunction to persuade (see Grimaldi, 1972). Moreover, it is equally clear that ethical character is the lynchpin that holds everything together. As Aristotle stated, moral character . . . constitutes the most effective means of proof (1356a). An audience is just not likely to respond positively to a speaker of bad character: His or her statement of premises will be met with skepticism; he or she will find it difficult to rouse the emotions appropriate to the situation; and the quality of the speech itself will be viewed negatively. (James Dale Williams, An Introduction to Classical Rhetoric. Wiley, 2009)On its face, personal branding as reputation managemen t shares some basic traits with the ancient Greek concept of ethos, which is commonly understood as the art of convincing ones audience that one is prudent or exercises good judgment (phronesis),  is of good moral character (arà ªte), and is acting with good will toward ones audience (eunoia). Historically, scholars of rhetoric have seen the basis of persuasion as a speakers capacity to understand and tailor ones message according to the complexities of social situations and human character. Ethos, broadly speaking, is understood as the rhetorical construction of a speakers character. (Christine Harold, Brand You!: The Business of Personal Branding and Community in Anxious Times. The Routledge Companion to Advertising and Promotional Culture, ed. by Matthew P. McAllister and Emily West. Routledge, 2013) Ethical Proof in Jonathan Swifts A Modest Proposal The specific details by which Swift builds up the ethical proof fall into four categories descriptive of the projector: his humanity, his self-confidence, his competence in the immediate subject of the proposal, and his reasonableness...I have said that the projector is a bit cocksure. He is also manifestly humble and modest. The proposal is a modest one. It is introduced in generally modest terms: I SHALL NOW therefore humbly propose my own thoughts ...; I do humbly offer to public consideration. . . . Swift has blended these two qualities of his projector in such a way that both are convincing and that neither quality overshadows the other. The result is a pleader whose humility is justifiably tempered by the sure knowledge that he has something to offer Ireland, to her everlasting benefit. These are the explicit indicants of the moral character of the pleader; they are reinforced and dramatized by the whole tone of the essay. (Charles A. Beaumont, Swifts Classical Rhetoric. Univer sity of Georgia Press, 1961)

Flow Chart Week 1 Essay Example | Topics and Well Written Essays - 1000 words

Flow Chart Week 1 - Essay Example An incorrect process may lead to waste of considerable amount of time for any organization and hence less profit. This paper will select a process â€Å"Get out of bed and get ready for work† that I do every day except for holiday but would like to spend less time doing and will design a flowchart using an appropriate tool. Further, this paper will list the factors that affect the process design and identify one metric that I will use to measure the process. The flowchart design for the process will help to identify the amount of time consumed for various factors that can be minimized, at the same time making the overall process more efficient. The process selected is â€Å"Get out of bed and get ready for work† that I do every day except for holidays. This entire process consists of many steps (or processes) such as get out of bed, got to bathroom, dress up and take breakfast. A flowchart is a good way to start analyzing a process showing the basic elements of a process (typically tasks, flows, and storage areas). In a flowchart, tasks are shown as rectangles, flows as arrows, and the storage of goods or other items as inverted triangles (Chase et al., 2006). Figure 1 shows the flowchart of the selected process created by EDraw. The one metric that will be used to measure the process is time. Every step of the process takes some amount of time. Entire time for the process can be broken down by each activity to know which activity takes how much time. This will help us to remove some activity in case of hurry. Table 1 shows the time taken for completion of the process for the first

Compare Tintoretto's two Last Suppers discussing their formal Essay

Compare Tintoretto's two Last Suppers discussing their formal qualities, materials, and function together with meaning - Essay Example o, Sala Grande contain elements with a mannerist language common in the artist’s works and present in his mentors and predecessors as if they were signature patterns. Both works have changed significantly over the years. First, the Church of San Trovaso introduced an orthodox front on an elevated dais and the interior depicted its superb white nudity. This depiction enabled churchgoers during the mid1500s to stop and value the balance of each perfect painting, including Tintoretto’s â€Å"Last Supper.† Being an altarpiece, Tintoretto’s version of the Last Supper in the Church of San Trovaso in fact depicts an ongoing dining in comparison to other renaissance versions of the same event3. The San Trovaso version exhibits Tintoretto’s radical spirit that deviates from classicism, which is evident in the painting’s three-dimensional setting. The radical nature of three-dimensional settings is clear from the fact that it did not become prevalent amongst Italian artists during the 1500s until the emergence of Leonardo da Vinci. In the San Trovaso version â€Å"Last Supper,† Tintoretto’s places the table diagonally and enjoys the subjects’ viewpoints so that moving the painting’s axis is evident4. However, this shifting effect heavily relies on the left or right position taken by the viewer. Tintoretto’s â€Å"Last Supper† in Scuola San Rocco shows the continuation of dynamism from the San Trovaso version. This is because of the enthusiasm of the disciples who appear to gesture each other. Along with a flight of angels who almost abruptly plummet into the event, Christ’s disciples show their excitement of the event. In this version, Christ is not in the middle, which means viewers mostly have to look for him5. The scene is very dynamic and filled with contrast caused by a lighting output. The lighting output in this â€Å"Last Supper† is evident in the specific beams of light and shadow that raise the sense of spectacle in an environment similar to a